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The final event of the first edition of Ars Sine Finibus, a cross-border project promoted by Gradis'ciutta and Ferdinand, aims to transform the vineyards of Collio and Brda into a permanent art park in preparation for Gorizia and Nova Gorica as European Capitals of Culture 2025.

The Gradis'ciutta winery hosted the awards ceremony for the first edition of Ars Sine Finibus , a cross-border project promoted by Sinefinis , founded by Robert Princic of the Italian winery Gradis'ciutta and Matja¸ Četrtič of the Slovenian winery Ferdinand. The initiative aims to transform the border vineyards between Italy and Slovenia into a permanent art park, where site-specific installations by young artists become a tool for dialogue between art and nature, community and territory. This journey looks to a sustainable future through natural materials and innovative languages, in harmony with the program of Gorizia and Nova Gorica as European Capitals of Culture 2025 .
The project is implemented with the support of the GO!2025 Small Projects Fund of the Interreg VI-A Italy-Slovenia Programme.

The ceremony was attended by numerous institutional figures from the two countries, including the mayors of San Floriano del Collio and Gorizia, Marjan Drufovka and Rodolfo Ziberna , and the Slovenian ambassador to Italy, Matja¸ Longar , and the Italian ambassador to Slovenia, Giuseppe Cavagna , a tangible sign of a cultural collaboration that goes beyond borders.

The works presented by the young artists were:

  • Sconfinare by Sofia Aloni and Lorenzo Lavezzo : recounts the fracture of 1947 when a political border divided cities, families, and communities, transforming the staves of the barrels into columns that become a demographic graph and, at the same time, a symbolic gate capable of uniting what history has separated. Materials: used wine barrels.
  • "Spazio di vite" by Chiara Andolina , Tommaso Marchesi , and Simona Tessaro : a monumental-scale wire cage woven from iron and vine shoots, which becomes a habitable architecture and a symbol of conviviality and encounter. Materials: rebar and wire, vine shoots.
  • Fort and Sanctuary by Pietro Chiarello and Jasmin Sara Prezioso : Fort, an open structure, in dialogue with the sky and nature, reminiscent of military palisades but transformed into a place for play and socializing. Materials: wooden palisades for viticulture, blue enamel, and wire. The sanctuary, on the other hand, is a gigantic blue barrel transformed into a habitable structure housing agricultural tools like religious icons, where play and spirituality coexist. Materials: barrel, wood, gravel, blue enamel, and antique agricultural tools.
  • Cow without a passport by Lili Grudina and Daniele Poli : an antique iron door featuring a stencil of a cow divided by a border and an abstract composition, evoking memory, abstraction, and the transcendence of boundaries. Materials: Iron door from the Princic family.
  • Synergos by Nailia Khamzina and Vanessa Stefan : two intertwined bodies become a vital core at the center of the sculpture, with barrel hoops and a mosaic of colored glass filtering the light, a symbol of coexistence and bridges between peoples. Materials: glass, wire, barrel hoops.

The jury prize was awarded to the work Scritto nelle pietre by Juliana Florez Garcia , Gloria Veronica Lavagnini , and Tajda Tomšič , an arch and wall reminiscent of the former border, constructed of marl, stone, and gold inserts, transforming the historical wound into a passage and threshold toward a shared consciousness. Suspended stones and metal stems evoke a flowery meadow, restoring lightness and poetry to a painful memory. The international jury, composed of Salvatore Marsiglione, director of the MAG Gallery; Andrea Formilli Fendi, president of the Candido Foundation; Carla Fendi Speroni; Elisabetta Cudicio, director of Studio Celiberti; Nelida Nemec, an internationally renowned art historian; and Alberto Perazza, owner of MAGIS design, recognized the evocative power of the work and its ability to transform history into a universal language. The visibly moved artists received a cash prize and a work donated by maestro Giorgio Celiberti.

Following the ceremony, the installation " So(g)no" by artist Marco Nereo Rotelli , who was present at the event, was also inaugurated. The work, created with the contributions of Professor Riccardo Valentini , composer and radio host Alessio Bertallot , Slovenian poet Aleš Šteger, Italian poet Valerio Magrelli , and Friulian artist Giorgio Celiberti , transforms the vineyard space into an immersive journey of light and poetry, inviting visitors and the community to share a sensorial and reflective experience.

" We are proud to have believed in Ars Sine Finibu s," said Robert Princic and Matja¸ Četrtič , " because it demonstrates that art and wine can become tools for dialogue and unity between communities. Collio and Brda have always been a meeting place: today, thanks to these young artists, we have taken a further step towards a shared, sustainable, and borderless future ."

With Ars Sine Finibus , Collio and Brda are not only territories of excellent wine, but become an international cultural laboratory, where creativity, memory and nature meet to speak a universal language: that of art that unites.

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08/09/2025
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